The view from the Lorraine Motel in Memphis, now part of the National Civil Rights Museum, shows the balcony where King was standing when he was assassinated in 1968. Photo by Rick Holmes

The burial vault of Dr. Martin Luther King Jr. and Coretta Scott King is covered during renovations at the King Center in Atlanta. Photo by Rick Holmes

Workers repaint inscriptions at the Martin Luther King Jr. Center in Atlanta. Photo by Rick Holmes

Black history is American history

By Rick Holmes

Jan. 12, 2018

Atlanta – The tomb holding Martin Luther King Jr. is covered in plastic while workers spruce up the reflecting pool that surrounds it. Written in the tiles is King’s promise that he will never be satisfied “until justice rolls down like water and righteousness like a mighty stream.”

King rests in the King Center, less than a block from the house where he was born, and just steps from the Ebenezer Baptist Church, where he – along with his father and his grandfather before him – preached. All are part of the Martin Luther King Historic District, which will be ready for the spotlight by April 4, the 50th anniversary of King’s assassination.

This will be a year of grim 50th anniversaries, because 1968 was an especially dark year. It was a year marked by war, riots and assassinations, by deep divisions and the death of dreams. No event shook the nation like King’s death in Memphis, which is preparing as well.

King had come to Memphis in the spring of 1968 to march in support of sanitation workers. The nearly all-black workforce had gone on strike after two workers were killed by a trash compacting machine. They did dangerous work for pitifully low pay. The placards they carried demanded not just pay, but dignity. “I AM A MAN,” they declared.

King was standing on the balcony outside his room at the Lorraine Motel, talking with friends in the parking lot below, when the shots rang out. The motel is now part of the National Civil Rights Museum. Visitors can look through a window into the room where King stayed, unchanged since his death, and look out past the balcony to the rear window of a rooming house where James Earl Ray stood when he fired the shots that killed the conscience of a nation.

When it was first proclaimed in 1976, Black History Month made sense. The stories of the struggles and achievements of African-Americans had gone untold for so long, why not encourage people, especially students, to learn about Harriett Tubman, Booker T. Washington, Frederick Douglass and, of course, Martin Luther King?

But segregating African-American history from American history – giving them the shortest month on the calendar, at that – has always felt not quite right. Those stories aren’t black history; they are American history, part of a huge canvass of aspirations, conflict and connections. Their stories need to be included in our story, not stored on a separate-but-equal shelf.

That context is being provided where people meet history face-to-face. There’s the small stone stump on a corner in Fredericksburg, Va., that a plaque identifies as the main auction block for slave sales, or the sign in New Orleans marking the location of the notorious slave pen featured in “Twelve Years a Slave.”

You can’t miss Charleston’s Old Slave Mart, now a museum operated by the city. And if you’re driving down Rte. 80 in Alabama, you’re reminded every few miles of the march King led from Selma to Montgomery that inspired passage of the 1965 Voting Rights Act.

Some of the changes are subtle. At Thomas Jefferson’s Monticello, curators avoid the term “slaves,” preferring the terms “enslaved men and women,” or “enslaved families.” It makes them more human by describing slavery as their condition, not their identity.

One of the ways Memphis is preparing to honor Dr. King is by removing the statues of two Confederate leaders. City leaders did it quickly over the December holidays, taking advantage of a loophole in a state law enacted to prevent such assaults on Confederate memorials. Some conservatives believe in local decision-making right up to the point local people make a decision they disapprove of.

I’m fine with Memphis’ decision. The statue of Confederate President Jefferson Davis, erected in 1964, was more a rejection of the Civil Rights Act than a tribute to the Civil War. But the National Civil Rights Museum teaches a lot more history to a lot more people than the relocation of a dated and offensive statue.

The granddaddy of Confederate monuments sits outside Atlanta, where Robert E. Lee, Stonewall Jackson and Jefferson Davis are carved into Stone Mountain at the site where the second KKK was founded. A Democrat running for governor has called for the figures to be sandblasted off the face of the mountain, which seems unwise as well as unlikely.

In his famous speech on the steps of the Lincoln Memorial, King said he dreamed of a time when America would “Let freedom ring from Stone Mountain of Georgia.” On the anniversary of King’s death, one Georgia legislator hopes to see thousands of people on top of Stone Mountain. Another is calling for a “freedom bell” to be built atop Stone Mountain in honor of King.

Sounds good to me. Doing history right is a matter of addition, not subtraction.

Rick Holmes can be reached at rick@rickholmes.net. You can follow his journey at www.rickholmes.net. Like him on Facebook at Holmes & Co, on follow him on Twitter @HolmesAndCo.

Slideshow: Black history on the road

Fredericksburg, Va.: A plaque next to this small stone stump on a busy corner identifies it as the auction block for slave sales before the Civil War.

Atlanta: The voice of Dr. Martin Luther King Jr. can still be heard in the historic Ebenezer Baptist Church, which is now part of the National Park Service's MLK National Historic site. A new, larger Ebenezer Baptist Church has been built across the street

Charleston, SC: The city's largest slave market is now a museum run by Charleston's city government.

Memphis, Tenn.: An exhibit on the Memphis sanitation workers strike at the National Civil Rights Museum.

Monticello, Va.: A reconstructed slave quarters at the home of President Thomas Jefferson.

New Orleans, La.: A historic marker notes where one of the city's notorious "slave pens" was located.

Richmond: A civil war museum now stresses the need for three perspectives: the North, the South, and the African-Americans.

Selma: A recently erected plaque near the Edmund Pettus Bridge, site of the 1965 "Bloody Sunday" violence.

Spotsylvania, Va.: Exhibits now stress that while the advance of Union troops were devastating for Southern landowners, it meant liberation for thousands of enslaved people.